When Trailers Strike Gold – Part 7 Titanic

I wrestled over choosing this one.  I first saw Titanic when I was 17, naïve about so much, and deeply effected by the film’s tragic and romantic underpinnings. 

Age and maturity have changed my perception.

Cut together as a narrative tease, the trailer succeeds in providing a strong look at its scope as well the film’s pervasive look at class differences, one of its central and strongest manipulated themes…

The trailer itself bears significance if only for its length, running just over four minutes, a detail that incurred a fine in 1997 for overshooting the two-and-a-half-minute rule.  Cameron pieced it together himself (a chore directors usually outsource). 

The film works on many levels, and fails on just as many (Steven Greydanus has an excellent write up on this).  Visually, even after 12 years, it’s still a stunner.  Taken on its technical merits alone, it is unmatched — the effort undertaken to bring the RMS Titanic to life required significant innovations developed due to the inability to create certain effects digitally, a hurdle today’s CGI could clear with ease.

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